From YMCA Brickwork to Racing Legends: Stories Linking Swansea and Kent

From YMCA Brickwork to Racing Legends: Stories Linking Swansea and Kent

Sidcup and Chislehurst, Kent, are closely linked by both distance and shared history, which makes Chislehurst a fitting point on which to conclude this story. Though separate on the map, their proximity hints at shared paths, familiar landscapes, and the movements of individuals whose lives left marks far beyond their own time. The threads that connect them — from architecture and theatre to engineering brilliance and record-breaking ambition — reveal how even neighbouring places can hold stories that stretch across generations. And so, as these connections unfold, Chislehurst becomes not just an ending, but a place where the histories converge and settle, offering a final chapter filled with echoes of all that came before.

So, let’s begin.

Swansea YMCA

Swansea YMCA
The YMCA building, located on the corner of Page Street, was constructed in 1912 to the designs of Swansea architect Glendinning Moxham, in the Baroque style. The estimated cost was around £15,000.

A contemporary article in 1913 described it as:

“One of the most modern and effectively equipped institutions in the whole country, and an architectural ornament to the town.”

Its facilities included:

  • Reception hall
  • Lounge
  • Social and dining halls
  • Enquiry offices
  • Reference library
  • Secretaries’ offices
  • Educational rooms
  • 18 bed-sitting rooms
  • Gymnasium
  • Public hall and balcony (seating 550–600)
  • Roof garden

The opening ceremony was performed by Lord Kinnaird, President of the YMCA and Principal of the Football Association.
A plaque reads:
“To the glory of God and for the good of man.”

Glendinning Moxham

Glendinning Moxham, born on 18th May 1865 in Swansea, Wales, trained under R. Charles Sutton in Nottingham between 1883 and 1886, and also studied at the Swansea School of Art and University College Nottingham. He worked as an assistant to James Buckley Wilson from 1887 to 1889, before beginning independent architectural practice in Swansea in 1889, partnering with Wilson until 1901.

From 1913 to 1930, he served as Head of the Architectural School at Swansea School of Art, and during the First World War worked as architect to the Red Cross. He was architect to the Swansea General and Eye Hospital, President of the South Wales Institute of Architects in 1914–15, and elected Fellow of the Royal Institute of British Architects (FRIBA) in 1905.

His known addresses included 39 Castle Street, Swansea in 1905, and 18 Castle Street in 1914 and 1939. He died on 27th March 1946, at 208 Gower Road, Sketty, Swansea.

His works listed in Who’s Who in Architecture (1923) included Barclays Bank, Swansea (1913), the London City and Midland Bank, Neath, additions to the Swansea General and Eye Hospital (1912), the Glynn Vivian Art Gallery (1912), the Bristol Channel Yacht Club, Mumbles, the Convalescent Home for the Blind, Caswell, the Christian Scientist Church, Swansea, and numerous ecclesiastical and domestic buildings throughout South Wales. Following the YMCA, he also designed the Llewellyn Building in 1920.

Abbey Players

In 1961, the Abbey Players staged The Boy Friend at Llewellyn Hall. The group had been formed just a year earlier, in 1960, by a small circle of friends and enthusiasts who rehearsed at Singleton Abbey, from which they took their name.

Leading figures included Frank Tucker, Val Treharne, and Adrian Howells, and the first script reading took place at a member’s home in Cwmdonkin House.

Between 1963 and 1978, the Abbey Players performed annually at Llewellyn Hall before choosing to stage their productions at the Grand Theatre, where they debuted with How to Succeed in Business Without Really Trying.

In 2018, marking 50 years since the 1968 film, the Abbey Players staged Chitty Chitty Bang Bang.

Chitty Chitty Bang Bang

Chitty-Chitty-Bang-Bang: The Magical Car 
by 
Ian Fleming
The 1968 film Chitty Chitty Bang Bang had a screenplay by Roald Dahl and Ken Hughes, was directed by Hughes, and produced by Albert R. Broccoli. It was based on the 1964 children’s book Chitty-Chitty-Bang-Bang: The Magical Car by Ian Fleming, inspired by real aero-engined racing cars built by Louis Zborowski in the 1920s.

Though Dahl is most associated with Buckinghamshire, he was born in Wales — at Villa Marie, Fairwater Road, Llandaff, Cardiff in 1916, to Norwegian parents. Much of his youth unfolded in the Cardiff–Swansea region, and many episodes later described in Boy: Tales of Childhood took place in South Wales. Dahl attended Llandaff Cathedral School, within reach of Swansea, before further education in Weston-super-Mare and at Repton.

Roald Dahl
His Welsh upbringing left him with vivid memories: stern schoolmasters, coastal landscapes, and formative mischief — including the infamous “Great Mouse Plot” in a local sweet shop. These experiences sharpened his imagination and sense of dark humour, influences that subtly resonate through the tone of Chitty Chitty Bang Bang. His family maintained roots in South Wales, and the region’s shorelines and cultural character left an imprint on his creative mind.

Though adapting Fleming’s story, Dahl’s touches are visible: eccentric villains, heightened danger, fantastical mechanics, and a playful undertone — elements familiar to readers of Dahl’s own books. Geographically and imaginatively, the Welsh landscapes of his youth sit not far from Pendine Sands, where the racing tales at the heart of this story later unfold.

Ian Fleming

Ian Fleming
Ian Fleming, better known as the creator of James Bond, drew the inspiration for his children’s story from the remarkable aero-engined “Chitty Bang Bang” cars engineered by Louis Zborowski in the early 1920s. Fleming’s fascination with engineering, innovation, and controlled danger echoed both in Chitty-Chitty-Bang-Bang and in the espionage world of 007.

Born in 1908, Fleming was educated in England and went on to serve in British naval intelligence during the Second World War. His exposure to espionage, secret communications, undercover operations, and the personalities within military command all shaped the creation of Bond — the elegant, skilled, and psychologically complex agent codenamed 007.

A Welsh wartime echo: James Charles Bond

A locally told story in Wales suggests that a Swansea man named James Charles Bond, born in 1906 and later buried in Gorseinon, worked as an SOE agent during the war — reportedly under Fleming’s direction. In 2019, after family research confirmed his covert role, his gravestone was updated to include “007” in tribute.

This coincidence of name, wartime service, and possible link to Fleming has sparked speculation that James Charles Bond may have influenced the creation of the fictional Bond. However, no documentary evidence confirms this. Fleming himself stated the name came from James Bond, the American ornithologist, because he wanted something plain, unobtrusive, and unromantic.

Even so, the Swansea connection persists as a compelling piece of local lore — a reminder that history often lives in suggestion, coincidence, and the overlaps of real lives with legends.

Fleming died in August 1964, just two months before Chitty-Chitty-Bang-Bang was published.

The Four Chitty Cars

Chitty 1 was built upon a Mercedes chassis and powered by an immense 23-litre Maybach aero engine. When it appeared at Brooklands in 1921, reaching speeds between 100 and 120 mph, it made an immediate impression. Nothing about it was subtle: its size, its power, and its experimental engineering established the Chitty name as something bold, unconventional, and fearless.

Chitty 2 followed, powered by an 18.8-litre Benz Bz.IV aero engine. Although less successful as a racing machine, it undertook an extraordinary journey during the 1922 Sahara Desert expedition, demonstrating stamina far beyond the racetrack. Years later, its story continued in the United States, where it became part of the Crawford Auto-Aviation Museum in Cleveland, Ohio.

Chitty 3, built upon a modified Mercedes chassis, continued Zborowski’s drive to blend aeronautical engineering with motor racing. Refined and tuned, it recorded a Brooklands lap speed of 112.68 mph, a testament to the incremental improvement and pursuit of ever more daring speed.

Chitty 4
Chitty 4, best known as Babs and also called the Higham Special, was the most ambitious of the series. Powered by a colossal 27-litre Liberty V12 aircraft engine producing around 450 horsepower, it represented the height of experimental interwar motoring. Following Zborowski’s death in 1924, J. G. Parry-Thomas acquired the car — and with it, the opportunity to re-engineer and rewrite its destiny.

J. G. Parry-Thomas and Babs

John Godfrey Parry-Thomas
John Godfrey Parry-Thomas was born on 6th April 1884 in Wrexham, Wales, and became one of the most inventive and daring engineers and racing drivers of his era. After success at the racetrack — achieving 38 victories in five seasons — he turned his attention to the world land-speed record. In 1924, from the estate of Louis Zborowski, he acquired the huge aero-engined machine originally known as the Higham Special, the fourth of Zborowski’s “Chitty Bang Bang” cars. Powered by a 27-litre Liberty V12 aircraft engine, it was one of the largest-capacity engines ever fitted to a car.

Parry-Thomas renamed the machine Babs and rebuilt it extensively. He fitted four Zenith carburettors, designed new pistons, and modified the chassis and bodywork to improve stability and airflow. In April 1926, on the sands at Pendine, he set a new land-speed record of 171.02 mph (273.6 km/h), the fastest car yet run at Brooklands, and a leap forward in the era’s speed engineering.

But the relentless pursuit of higher speeds continued, especially from rivals like Malcolm Campbell and Henry Segrave. On 3rd March 1927, attempting to reclaim the record at Pendine Sands, Parry-Thomas crashed at high speed and was killed. Though widely believed at the time to have been caused by a snapped drive-chain, later inspection of the recovered car suggested mechanical failure elsewhere — possibly a lost wheel — rather than the dramatic chain-break legend.

After the tragedy, Babs was buried in the dunes at Pendine. There it remained until 1969, when Welsh engineer Owen Wyn Owen located and excavated it. The restoration that followed was meticulous: the Liberty V12 was rebuilt, carburettors reinstated, and original components used wherever possible. Against all expectation, Babs ran again — a reborn monument to extreme engineering.

John Godfrey Parry-Thomas
grave
St Mary’s Church, Byfleet

Today, Babs is displayed at the Pendine Museum of Speed in summer and the Brooklands Museum in winter. Parry-Thomas himself rests at St Mary’s Church, Byfleet, close to the Brooklands circuit that had so defined his passion. Remembered as one of the few record-breakers who engineered and drove his own machines, he occupies a distinct place in motoring history — an icon of innovation, audacity, and the human desire to test limits.

Sir Malcolm Campbell

Sir Malcolm Campbell

Sir Malcolm Campbell was born on 11th March 1885 in Chislehurst, Kent, and rose to become one of the most recognisable figures in early British motoring. Educated at Uppingham School, he developed an enduring fascination with machinery, speed and competition. During the First World War, he served as a motorcycle dispatch rider, later receiving an officer’s commission in the Queen’s Own Royal West Kent Regiment, and eventually flying with the Royal Flying Corps.

After the war, Campbell focused intensely on motor racing and land-speed challenges. The name Blue Bird — taken from the stage play L’Oiseau bleu — became the signature title he used for all his record vehicles. In 1924, he achieved 146.16 mph at Pendine Sands, and on 21 July 1925, at the same site, driving a Sunbeam 350hp Blue Bird, he broke the 150 mph barrier with an official speed of 150.766 mph.

He went on to set nine world land-speed records between 1924 and 1935. His most important record came on 3rd September 1935 at the Bonneville Salt Flats, Utah, where the Campbell-Railton Blue Bird reached 301.129 mph, making Campbell the first person to officially exceed 300 mph on land.

Campbell also pursued aquatic speed records, driving his Blue Bird water-craft to ever greater velocities between 1937 and 1939, culminating in 141.74 mph on Coniston Water. His influence extended beyond individual record attempts: Campbell competed successfully at circuits such as Brooklands, and later became involved in its development and organisation, helping adapt parts of the site for modern, high-performance cars.

Sir Malcolm Campbell
grave
St Nicholas Church, Chislehurst

His achievements won him national honour. In 1931, he was knighted, becoming Sir Malcolm Campbell, recognising not only his pioneering records but his contributions to Britain’s motoring and engineering reputation. He died on 31st December 1948, at his home in Reigate, Surrey, aged 63, and was buried at St Nicholas Church, Chislehurst. His legacy continued through his son, Donald Campbell, who pursued both land- and water-speed records in spectacular fashion. Today, Sir Malcolm Campbell stands as a symbol of ingenuity, daring and technological aspiration — a man who helped define the limits of speed in the 20th century.

Conclusion

From the YMCA in Swansea to the racing heritage of Pendine Sands and Chislehurst, these stories reveal how closely people, places, and remarkable achievements can become woven together. Though separated on maps and by time, they are linked by shared ambition and a willingness to push past the limits of the ordinary.

Buildings, theatres, workshops, and long swathes of sand once hosted those ambitions. Their walls, stages and racing tracks still hold traces of what happened there. Behind bricks, engines and performances lie histories of vision, daring, and persistence — and of individuals determined to test the edge of what was possible.

Names may fade, dates may grow hazy, but the stories remain. Their echoes continue to shape how we understand the landscapes around us and the people who once lived, worked, competed, and created within them.

In the end, history is rarely isolated. It is found in unexpected links, shared geographies, and the legacy of those who dared to build, to perform, to engineer, and to race into the future.

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